German historian Hans-Ulrich Wehler (1931-2014) has died on Saturday. His most prominent work is a five-volume work on the social history of Germany ("Deutsche Gesellschaftsgeschichte") in the Early Modern and Modern Era (1700-1990). He was not a historian in the "ivory tower" of academia, but also commented on socio-political issues; over the last couple of years, he had repeatedly criticized the increasing inequality in income and property in Germany and globally.
Wehler at the Leipzig Book Fair, March 2013 |
Wehler, born in Freudenberg near Siegen in Westphalia on September 11th, 1931, died in Bielefeld last Saturday (July 5th, 2014). He graduated from high school in 1952, attending the same gymnasium as the most prominent West German post-war philosopher, Jürgen Habermas. A student at Cologne, Bonn and at Ohio Unversity at the time of West Germany's post-war "economic miracle" ("Wirtschaftswunder"), he became a lecturer at Cologne at the height of the "1968er" student movement in Germany; after a couple of years there, he took up a full professor chair at West Berlin's (left-wing) Free University in 1970. For most of his career, from 1971 until 1996, he taught at the "reform" University of Bielefeld, with stints in Berne, Switzerland, and in the U.S., at Harvard, Princeton, Stanford and Yale.
Recently, Wehler had pointed to the increasing inequality as a danger to social peace and to the ongoing social erosion of the basis of a German society, that for the immediate post-war decades rather aptly had been characterized as a rather "levelled middle-class society" ("nivellierte Mittelstandsgesellschaft") by sociologist Helmut Schelsky (who, like Wehler, was one of the pioneers of the newly-founded "reform" university at Bielefeld).
At Bielefeld, Wehler and others developed and taught the method of Critical Social History ("Kritische Sozialgeschichte", "Bielefelder Schule" (Bielefeld School)). Wehler was influenced by Max Weber's theories and saw grand social and economic developments as the motors of history. He always focused on the complexity and totality of modernity.
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